A marriage of the grotesque and the glamorous, David Altmejd's spectacular sculptural installations offer rich sensory experiences. His clashing, complex vocabulary explores the interplay of the animal and the human, the biological and the mineral. Delicate and abject in equal measures, his mirrored support structures display and reflect decay, transformation and monstrous hybridity. Indeed, the werewolf - a figure of legend and myth, half man, half animal, a metaphor dramatizing genetic aberration - is at the center of the Venice exhibition.